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Stedelijk Museum Amsterdam: Everything You Need to Know Before You Visit
Updated August 2026
The Stedelijk is the largest museum of modern and contemporary art and design in the Netherlands, holding around 90,000 objects spanning 1870 to the present, from Malevich and Mondrian to Warhol, Kusama and Bruce Nauman. It occupies two buildings joined together: A.W. Weissman's 1895 neo-Renaissance museum and a 2012 white extension universally known in Amsterdam as the bathtub. It is also the quietest of the three Museumplein museums and the one visitors most often skip, which is a mistake if you have any interest in twentieth-century art, and a defensible choice if you do not.
At a Glance
How Early to Book:
Pre-booking a ticket online is required; there are no tickets sold at the ticket office. Tickets valid for entry at any time on selected day. Book 1-2 days ahead for general admission. Special exhibits can require a much earlier booking.
Best Times to Visit:
At the 10am opening is the best for avoiding crowds, although the museum never gets as crowded as its neighbors.
Ticket price:
€22.50 for adults for the permanent collection, additional for special exhibits.
Where to Book:
Museum Address:
Do You Need to Book Stedelijk Museum Tickets in Advance?
Yes, and there is no way around it. Tickets are sold exclusively online through the museum's own website, and there is no ticket counter selling admission on the day. This trips up a lot of visitors who assume every museum will have a desk, so book before you set off, even if that means doing it on your phone on the tram.
The good news is that booking is easy rather than competitive. Unlike the Van Gogh Museum next door, the Stedelijk does not usually sell out, and a slot a day or two ahead is fine even in summer. Tickets are valid for the whole day rather than a fixed hour, so there is no arrival window to hit.
The one exception is significant: the Yayoi Kusama retrospective running from September 2026 to January 2027 is sold on timed entry through the museum's own website only, and the slots for the mirror room will go first. If you are visiting in that window, book well ahead.
Where to book: stedelijk.nl. Resellers offer the same ticket, sometimes bundled into Museumplein combination deals with the Van Gogh Museum or the Amsterdam Museum at savings of around 5%, which is modest but real if you are doing both anyway.
Prices:
Adult: €22.50
Students and CJP holders: €12.50, on presentation of a student card
Aged 18 and under: free, but a ticket is still required
Foreign student cards are accepted, which is worth flagging because several Amsterdam museums accept only Dutch cards or ISIC. Bring the card itself, not a photo of it.
Under-18s go free but need a free ticket, booked online by selecting the "admission up to and including 18 years" option. They also cannot enter alone: anyone 18 or under must be accompanied by an adult holding a valid ticket.
Free entry applies with a long list of cards: the Museumkaart, I amsterdam City Card, Stadspas, ICOM, Rembrandtkaart, Amsterdam Pass, Holland Pass, the VriendenLoterij VIP card, and the museum's own Friends, Family Friend, Donor, Young Stedelijk and Stedelijk Circle memberships.
Cardholders still need to do something. Either book a free ticket online, selecting "Museum Card Entry" or "Other valid admission ticket", or go straight to the entrance check on the day. The exception is any exhibition requiring a start time, where a reservation is necessary. Only Stedelijk Members are exempt from reserving a start time. Bring the physical card.
A Museumkaart can be bought at the museum and used immediately. Buying online does not work for same-day entry, since proof of purchase alone will not get you in.
The exhibition surcharge is the thing to watch. Some exhibitions and events carry a one-off supplement on top of standard admission, flagged on that exhibition's page. It applies to Museumkaart and discount cardholders as well, which surprises people who assume the card covers everything. Stedelijk Members never pay a surcharge.
Refunds and changes: no refunds are issued, but the terms are unusually generous in other ways. Tickets stay valid for a year after purchase, and if you cannot make your date you can email the museum at least 48 hours ahead to move it, or change it at the museum. Kusama tickets are the exception and can only be rescheduled by email.
Every ticket includes the audio guide at no extra cost.
How far ahead: a day or two for a normal visit. Several weeks for Kusama, particularly for a weekend or the Christmas period.
Stedelijk Museum Opening Hours and Entry Information
Open daily, 10:00 to 18:00, 365 days a year, including all Dutch public holidays. There are no closing days at all, which makes this the most reliable museum in Amsterdam to build a plan around.
Last admission is 17:45, and your ticket is valid for the entire day rather than a specific hour. You can go in, leave for lunch on Museumplein and come back, which is unusual, but very useful on a long museum day.
No late-night openings are scheduled as standard, though the museum occasionally extends hours for special events and for Museumnacht.
Realistically, arriving after about 16:30 gives you an hour and a half, which is enough for the permanent collection but not for a major temporary show as well.
The shop keeps the same hours as the museum, 10:00 to 18:00, and no ticket is needed to visit it.
Fonda Café and the Fonda Coffee Bar close earlier, at 17:00 daily. Worth knowing if you were planning to finish a long visit with coffee, because the galleries stay open a full hour after the café stops serving.
Address: Museumplein 10, 1071 DJ Amsterdam.
What is the Best Way to Get to the Stedelijk Museum?
The Stedelijk sits on the western side of Museumplein with its entrance facing the square, between the Van Gogh Museum and the Concertgebouw.
By tram: lines 2, 5 and 12 stop at Van Baerlestraat or Museumplein, both a minute or two away. Line 12 also stops at Rijksmuseum, five minutes east across the square.
By bus: routes 170 and 172 serve Museumplein.
On foot from Centraal Station: around 30 minutes south, or about 15 minutes on tram 2 or 12.
On foot from Leidseplein: eight minutes southeast.
From the Van Gogh Museum: two minutes. They share the same stretch of Museumplein.
From the Rijksmuseum: five minutes across the square.
From the Moco Museum: five minutes.
By bike: racks around Museumplein fill early in summer. The underground bike garage beneath the square is the dependable option.
By car: Q-Park Museumplein sits directly under the square. Driving into this part of Amsterdam is otherwise more trouble than it is worth.
One practical tip: the entrance is through the white extension facing Museumplein, not through the historic brick building on Paulus Potterstraat, which is the side people naturally walk towards because it looks like the front door of a museum. Aim for the wide white overhang on the square.
How Much Time Should I Spend at the Stedelijk Museum?
Between 90 minutes and two hours is enough to cover the permanent collection, which is how long most people stay.
Two to three hours is right if a major temporary exhibition is running and you intend to do both.
An hour is enough if you are dipping in to see the highlights, and the museum works well that way. Because your ticket is valid all day, you can also split the visit around lunch rather than doing it in one push.
Combining: the Stedelijk and the Van Gogh Museum together are the most natural pairing on Museumplein, and they run chronologically, with Van Gogh's post-Impressionism handing over to the Stedelijk's modernism. Do Van Gogh first if you want the art to run in order.
Adding the Rijksmuseum makes for a long day of roughly seven hours. That is a lot of museum, and the Stedelijk is the one people tend to rush at the end, so if you are doing all three, consider putting it first.
The Stedelijk Museum houses roughly 100,000 modern and contemporary art and design objects. Its famous 21st-century wing is nicknamed "The Bathtub" by locals because of its smooth, futuristic shape, and the museum was a pioneer in collecting photography and video art.
What is the Best Time to Visit the Stedelijk Museum?
Best time of day: the 10:00 opening. The galleries are large and well spaced, so the Stedelijk never feels as crowded as its neighbours, but mornings are still noticeably calmer.
Best days: Tuesday through Thursday. Weekends are busier, though even then this remains the least congested of the Museumplein three.
This is the crowd-avoidance choice. If you have been to the Van Gogh Museum at midday in August and found it unbearable, the Stedelijk is the antidote: same square, similar money, a fraction of the people, and rooms you can actually stand in front of a painting in.
Best season: the museum is entirely indoors and open every day of the year, which makes it a reliable wet-weather and winter option when Museumplein is grey and exposed.
One thing to check first: the Stedelijk rotates its temporary programme every few months and the temporary exhibitions are frequently the strongest reason to visit. Check what is on before you pick a date, because the difference between a good show and a changeover week is substantial here.
Yayoi Kusama at the Stedelijk, September 2026 to January 2027
The biggest thing happening at this museum in years opens in September 2026.
The exhibition is a major Kusama retrospective covering more than seven decades, from her early work in Matsumoto through the New York avant-garde years of the 1960s to recent production in Tokyo. It spans painting, sculpture, installation, drawing, collage, fashion, performance and film, and includes historic works never previously shown in Europe alongside new pieces made for the occasion. The headline element is a specially created new version of one of her infinity mirror installations.
Dates: 12 September 2026 to 17 January 2027.
It is organised with Fondation Beyeler in Basel and Museum Ludwig in Cologne, where it has already run, and curated by the Stedelijk's Leontine Coelewij. Amsterdam is the third and final venue.
Booking: tickets carry a start time indicating when you may enter the exhibition, and they are sold through the official site. Once inside you may stay as long as you like, and you are free to explore the rest of the museum before and after your slot.
What this means practically: a museum that normally never sells out will, for these four months, behave like the Van Gogh Museum. Book early, take a weekday morning slot if you can, and expect the mirror room to be the bottleneck. If you were planning a casual walk-in Stedelijk visit between September and January, plan properly instead.
What is Inside the Stedelijk Museum?
Around 90,000 objects in the collection, of which roughly 500 are on display at any time, arranged thematically rather than strictly chronologically. The curators do the editing for you, which is the main structural difference from the Rijksmuseum.
Stedelijk BASE, in the basement, is the permanent collection display, built into an open steel partition system designed by OMA's research arm AMO. It presents art and design side by side across the late nineteenth and twentieth centuries, without conventional walls or a fixed route. It is the part of the museum most consistently praised, including by people who dislike the rest.
The Malevich holding is the collection's crown. The Stedelijk owns one of the most significant groups of work by Kazimir Malevich anywhere outside Russia, covering his progression from figurative painting through Cubo-Futurism to Suprematism. For anyone interested in abstraction, this is the single best reason to come, and it is not replicated at any other museum in western Europe.
De Stijl and Dutch modernism are represented in depth, with Piet Mondrian and Gerrit Rietveld furniture including the Red and Blue Chair.
The Cobra movement is a Stedelijk speciality, with Karel Appel foremost among them, which makes sense given the museum championed those artists when they were still regarded as troublemakers.
The international modern and contemporary holdings run through Matisse, Picasso, Chagall, Cézanne, Kandinsky, Kirchner, Pollock, Warhol, Lichtenstein, Yves Klein, Ellsworth Kelly, Agnes Martin, Bruce Nauman, Barbara Kruger, Nam June Paik, Marlene Dumas, Jeff Koons and Sheila Hicks.
Contemporary and time-based work occupies a substantial share of the galleries, including video installation, performance and computational art, with artists such as Hito Steyerl, Anne Imhof and Tino Sehgal appearing in the programme.
What not to miss: the ceiling by Karel Appel in the café. Appel painted it in 1956, it caused an argument at the time, and most visitors sit underneath it eating cake without ever looking up.
A fair warning: a meaningful proportion of the contemporary displays are video works in darkened rooms, and if that is not your thing you will feel it.
Design, Posters and the Sandberg Legacy
The Stedelijk's design and graphic collection is the most underrated thing in it, and it is not an add-on. This museum shaped Dutch graphic design.
Willem Sandberg ran the Stedelijk from 1945 to 1963 and designed its catalogues and posters himself, in a stripped, torn-paper, lower-case style that became the visual signature of postwar Dutch modernism. He also opened up the building, put art on white walls, and made the museum a place for living artists rather than a mausoleum.
Wim Crouwel took over the museum's graphic identity from 1963 to 1985, producing the grid-based posters and catalogues that made the Stedelijk internationally recognisable to designers who had never set foot in Amsterdam. The design studio Mevis & Van Deursen carried the identity forward in later decades.
The applied art and design collection covers furniture, glass, ceramics, textiles, industrial design, typography and posters, with an emphasis on Dutch work from the turn of the twentieth century onwards.
The design galleries are frequently the emptiest rooms in the building and among the best. If you work in design or have any interest in it, budget extra time here rather than in the contemporary video rooms.
The Building: Weissman's Museum and the Bathtub
The Stedelijk is two buildings stitched together, and the join is the point.
The original museum was designed by A.W. Weissman and opened in 1895, a red-brick neo-Renaissance building facing Paulus Potterstraat. The museum itself was founded in 1874 by a group of private citizens who wanted Amsterdam to have a museum of modern art, with the collection stored at the Rijksmuseum until this building was ready.
The extension opened in 2012, designed by Benthem Crouwel Architects, a smooth white seamless composite form on a glass base with a vast cantilevered overhang facing Museumplein. Amsterdam immediately christened it de badkuip, the bathtub, and the name stuck. It houses the main entrance, the shop and the café, and it puts the museum's front door on the square rather than the side street.
Whether it works is a matter of ongoing local debate, and you will hear both positions confidently stated. Standing under the overhang, it is at minimum a striking piece of architecture, and it does what it was meant to do, which is signal that this is the museum on Museumplein where things are supposed to be unfamiliar.
The Library, the Shop and the Bookshop
The Stedelijk Library is a research library holding the museum's art books, catalogues, periodicals and archives. You cannot just walk in. Places are limited and an appointment is required, arranged through the museum in advance. For anyone researching modern art, Dutch design or the museum's own history it is a serious resource, but treat it as a booked appointment rather than a room to wander into.
The museum shop and bookshop sit in the entrance building and need no admission ticket, keeping the same hours as the museum. That makes them a legitimate free stop on Museumplein even if you are not visiting the collection. The bookshop is one of the better art bookshops in Amsterdam, strong on design, typography and exhibition catalogues rather than generic gift material, which reflects the collection behind it.
The Stedelijk tote bag has become a minor Amsterdam design object in its own right, alongside prints and reproductions drawing on the museum's poster archive. If you are buying one souvenir on Museumplein, the poster reproductions here are more interesting than anything on sale at the neighbouring museums.
There is also an online shop if you would rather not carry a catalogue around for the rest of the day.
Guided Tours and the Audio Guide
The audio guide is free and included with every ticket, covering both the permanent collection and the temporary exhibitions. It is available in Dutch and English only, which is worth knowing if you were counting on another language.
Handsets are not issued from one desk. You pick them up yourself from cabinets at several prominent points around the museum, and you return them to the same place afterwards. People regularly walk past the first cabinet and assume there is no guide.
You can also use your own phone. A QR code at each cabinet links straight through, or you can download the app before you arrive, which is the better option if you would rather use your own headphones.
Guided tours are run by the museum for both general visitors and education groups, with the current programme listed on the website.
Groups of 10 or more must book in advance, either as a guided tour or as an independent group visit. Note that Mondays, Tuesdays and Thursdays are held for educational programmes first, with any unbooked slots for the following month released after the 16th, so those days are hard to get. Pick another day if you have the choice.
Family programming changes regularly and includes tours, workshops and activities, listed on the museum's family page.
I would take the audio guide here more seriously than at most museums. The Stedelijk's thematic hang is intelligent but not self-explanatory, and the most common complaint about this museum is a version of "I did not understand what I was looking at." The guide can be the difference.
Is the Stedelijk Museum Worth Visiting?
At €22.50 it is priced in line with its neighbours, and the collection justifies it: the Malevich group alone is world class, the design holdings are exceptional, and BASE is one of the better permanent collection displays in Europe. The galleries are spacious, the crowds are thin, and you can look at things without queueing behind a phone.
The honest problem is that a substantial portion of the contemporary programme is difficult to interpret, and the museum does not apologise for it. Video installations in dark rooms, conceptual work, and pieces that reward context rather than looking. If you arrive expecting a modern art greatest-hits collection you will leave baffled, irritated by how much of it is video, and unconvinced you got your money's worth. They are not wrong about what the museum is. They are wrong about what it is trying to be.
For anyone interested in twentieth-century art: an easy yes, and arguably a better afternoon than the Van Gogh Museum because you can actually see the work.
For designers, architects and typographers: this is a pilgrimage. The Sandberg and Crouwel material, the poster archive and the applied art collection are the reason to come, and almost nobody else is in those rooms.
For anyone who came to Amsterdam for Rembrandt and Van Gogh: be honest with yourself. If the phrase "conceptual video installation" fills you with dread, spend the money at the Rijksmuseum instead.
For families: mixed. There are family programmes and a treasure hunt, but some of the contemporary work is graphic or sexual in content, and it is not a museum built around children in the way the Rijksmuseum's family route is.
For anyone with a Museumkaart or I amsterdam City Card: go, obviously. Even an hour in BASE is worth the walk.
Against the Moco Museum, five minutes away and similarly priced, the Stedelijk is a considerably more substantial collection for the same money.
My recommendation: this is the connoisseur's choice on Museumplein and it knows it. Boot up the audio guide and have a willingness to be puzzled, and it will repay the effort.
Where Should I Eat Near the Stedelijk Museum?
Inside the museum:
The Stedelijk café and restaurant in the entrance building does decent food with a view over Museumplein, and it has the Karel Appel ceiling overhead. It is better than most museum cafés in Amsterdam, though prices draw regular complaints, with cake and tea adding up faster than you expect. Since your ticket is valid all day, you are not obliged to eat here.
A short walk away:
Brasserie Zuiderbad, Hobbemastraat 28, is the one I would pick. A corner café opposite the Rijksmuseum doing bitterballen, croquettes and really good sandwiches, with lunch for two around €25, which is remarkable for this address. Open 11:00 to 16:00.
Soupenzo, Van Baerlestraat 81, does very good soups from around €6 and is the cheapest decent meal in the museum quarter.
Fonda Café, Museumplein 10, is the serious coffee stop, using La Cabra beans, with good pastries and a bright room.
Kiosk Rembrandt Van Gogh, Paulus Potterstraat 3A, is the outdoor kiosk between the museums, doing coffee, waffles and hot dogs at fair prices for a quick refuel.
Brasserie van Baerle, Van Baerlestraat 158, is the upscale choice, a long-established Amsterdam brasserie eight minutes south. Closed Saturdays, which regularly catches visitors out.
Ottolenghi, Paulus Potterstraat 50, opened inside the Conservatorium hotel and is the destination option if you want to make a meal of it. Priced accordingly.
A word of warning: the terraces directly facing Museumplein charge a premium for the view and it isn't worth it. Walking two streets west to Van Baerlestraat or east to Hobbemastraat improves both price and quality noticeably.
What Else is There to Do Near the Stedelijk Museum?
The Van Gogh Museum is two minutes away and is the most common pairing, running chronologically into the Stedelijk's collection. It needs advance timed booking far more strictly than the Stedelijk does.
The Rijksmuseum is five minutes east across the square and is a half-day on its own.
The Moco Museum is five minutes away in Villa Alsberg, showing Banksy, Warhol and immersive digital work in a much shorter and more populist format. It's
The Concertgebouw sits at the southern end of Museumplein and runs free lunchtime concerts on Wednesdays during the season. Turn up early, they fill.
Vondelpark starts three minutes west and is free, large and the obvious decompression after a morning of galleries.
Museumplein itself has open lawns, the pond that becomes an ice rink in winter, and enough space to sit outside with something from the kiosks.
The Diamond Museum and the House of Bols are both within a few minutes if you want something lighter, though neither is essential.
Rules, Bags, and Security
Lockers are free and take no coin. Only handbags up to A4 size, roughly 20 by 30 centimetres, are allowed in the galleries. Anything larger, plus umbrellas, must go in the lockers. Unattended bags are removed for security.
For anything too big for a locker, use Lockerpoint in the Q-Park garage under Museumplein. The museum has no space for suitcases.
No food or drink anywhere in the galleries, and that includes water bottles. This is stricter than most museums and it is enforced. Eating and drinking happen in Fonda Café or the coffee bar.
E-bike and lithium-ion batteries over 100Wh are banned from the entire building, including the cloakroom and lockers, on fire-safety grounds. If you depend on a battery-powered mobility aid, contact the museum ahead of your visit so they can arrange something.
Payment is cashless throughout the museum, by debit card, credit card or electronic payment. The museum shop is the one place that accepts cash.
Photography for personal use is welcome and the museum actively encourages sharing it. Flash and selfie sticks are never permitted, anywhere, and individual exhibitions can set their own restrictions, so check the signage at each entrance.
Do not touch the works. The Stedelijk shows a lot of design objects, furniture and installation pieces that look approachable in a way paintings do not, and parents are asked to supervise children closely for that reason.
Assistance dogs are welcome. Other pets are not.
Your ticket is valid all day and there is no time limit inside, so you can leave and re-enter until closing.
Accessibility at the Stedelijk Museum
The Stedelijk is among the more accessible museums in Amsterdam, largely because the 2012 extension was built to modern standards and connects the historic building via lifts.
Step-free access runs from the Museumplein entrance through the extension, and lifts serve all public floors including the basement where Stedelijk BASE is displayed. This is a substantial advantage over most central Amsterdam attractions, where historic staircases rule out step-free routes entirely.
Wheelchairs and museum chairs can be borrowed free from the information desk. The museum also has Alinkers, the walking bike that supports balance while you stay upright, which very few museums offer.
Reserve mobility equipment in advance by phone or email rather than relying on availability on the day. Supplies are limited and this is the single most useful thing you can do before visiting.
Wheelchair-accessible toilets are available, and most toilets in the building are gender-neutral.
Assistance dogs are welcome throughout.
The permanent collection display in the basement is reached by lift and is level once you are there, which makes the strongest part of the museum also the easiest part to get to.
If you use a battery-powered mobility aid, contact the museum before you visit. Lithium-ion batteries over 100Wh cannot be stored anywhere in the building, and the museum asks to be told in advance so they can find a workable arrangement.
Ask staff for help rather than working it out yourself. The museum is explicit that staff will assist, and because the building spans two joined structures the routes between the historic wing and the extension are not always the obvious ones.
Final Tips for Visiting the Stedelijk Museum
Book ahead if you are visiting between September 2026 and January 2027. The Kusama retrospective runs on timed entry through the museum's own site, and a museum that normally never sells out will for those four months.
Book online before you go, always. There is no ticket counter. Tickets are sold exclusively through the museum's website, including the free ones for under-18s and cardholders.
Check whether a surcharge applies to the exhibition you want. Some shows add a supplement on top of admission, and it applies to Museumkaart holders too. Only Stedelijk Members are exempt.
Pick up the free audio guide from one of the cabinets around the museum. They are not handed out at a single desk, it runs in Dutch and English, and you can use your own phone and headphones via the QR code instead.
Your ticket lasts all day. Go in at opening, break for lunch on Hobbemastraat, and come back for the temporary exhibition in the afternoon rather than trying to do it in one push.
Go straight down to Stedelijk BASE first. The permanent collection in the basement is the strongest and most approachable part of the museum, and starting there gives you the context for everything upstairs.
Find the Malevich rooms. One of the most important groups of his work anywhere outside Russia is here, and a surprising number of visitors walk past it without realising what they are looking at.
Spend time in the design galleries. The Sandberg and Crouwel poster material and the applied art collection are world class and almost always empty.
Leave everything bigger than a handbag in the free lockers. The gallery limit is A4, roughly 20 by 30 centimetres, and no food or drink goes in, water bottles included.
Look up in the café, and go before 17:00. The ceiling is by Karel Appel, painted in 1956, and nearly everyone eats underneath it without noticing. Fonda closes an hour before the museum does.
Pair it with the Van Gogh Museum. Two minutes apart, chronologically continuous, and between them they cover the shift from the nineteenth century into everything that came after.
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